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		<title>Non Fiction</title>
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			<title>The View from Shakespeare Cliff</title>
			<link>http://www.peterjukes.com/joomla3/essays-blogs-journalism/history-a-ideas/item/150-the-view-from-shakespeare-cliff</link>
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			<description><![CDATA[<div class="K2FeedIntroText"><p><img src="http://www.peterjukes.com/joomla3/images/shakespeare_cliff1.jpg" width="149" height="149" alt="shakespeare cliff1" style="float: left; margin: 7px;" />Until a few years ago, you could be climbing any chalk down in Southern England. Trails lead up from a council estate, past a recreation ground. On the slopes above, young men with tattooed arms walk their dogs. The grass is like an old rug, woven with wild flowers, cabbage whites and meadow browns. Then the next step you take is empty air.</p>
<p>Few cliff tops drop away so dramatically as this corner of coast where the North Downs are truncated by the Channel. Wave erosion caught the escarpment on an upswing: the sudden panorama is enough to make the heart miss a beat. Sea-level is only some 350 feet below but you can't test the overhang. Clouds could be a few feet distant, or a few miles. Even the chalk underfoot seems to shift.</p>
<p>On Shakespeare Cliff, just west of Dover, vertigo has a good precedent. In October 1604, at the time Shakespeare was probably writing <em>King Lear</em>, his company, The King's Men, visited Dover. In the tragedy, the Earl of Gloucester, blinded for his loyalty to Lear, meets an itinerant beggar 'Poor Tom' and asks him 'Know'st the way to Dover?'.</p>
</div><div class="K2FeedFullText">
<p>&nbsp;</p>
<blockquote>
<p>There is a cliff whose high and bending head</p>
<p>Looks fearfully on the confined deep</p>
<p>Bring me but to the very brim of it . . .</p>
<p>...From that place</p>
<p>I shall no leading need.</p>
</blockquote>
<p>&nbsp;</p>
<p>What follows is one of the most resonant scenes in English Literature. Poor Tom (who is really Gloucester's estranged son Edgar in disguise) leads his father part way up the 'horrible steep', convinces him that he stands on the brink. Renouncing the world, begging forgiveness from his son, the blind man hurls himself forward to a certain death. But Gloucester is deceived. He falls forward on the grass. Returning in the guise of a local peasant, Edgar persuades Gloucester he has fallen the height of ten masts. The old man's life is a miracle. He is purged of his despair. In a single scene the cathartic power of tragedy is expressed: an imaginary fall that restores us to solid ground.</p>
<p>Everything in Shakespeare's description suggests that Aycliffe, renamed after dramatist at least 200 years ago, is the setting he had in mind. Given that this is a key scene in a core work of Western Literature, one might expect it would be a favoured destination on the literary trail: a locus classicus, like the Brontë's Haworth or Wordsworth's lakes. But you are unlikely to meet a cultural tourist retracing Gloucester's steps. The cliff bears no plaques to its pedigree other than its name (and a King Lear Pub in the estate behind). While every adventitious biographical trace has been themed in Stratford-upon-Avon, the Shakespeare Industry has left this monument to the dramatist's conscious poetic powers virtually untouched.</p>
<p><br /><img src="http://www.peterjukes.com/joomla3/images/shakespeare_cliff2.jpg" width="300" height="219" alt="shakespeare cliff2" style="float: right; margin: 7px;" />The cliff may have escaped the deadening hand of the heritage business, but it has not been forgotten by history. A few hundred yards towards Folkestone are the remains of gun-emplacement. A little further on, a vast concrete acoustic ear looks out to sea, a means of detecting incoming planes before radar was invented. Behind, a Battle of Britain monument is planned. One of the closest mainland points to France, the cliff tops are studded with relics of our ambivalence to Europe.</p>
<p>The cliff is riddled with symbolism. Seven thousand years ago these chalk downs were separated from France. Now powerful forces are at work again, reversing the process. It was under Shakespeare Cliff that 2000 metres were dug of the first channel tunnel in 1880. The excavations were stopped due to fears of invasion, but coal was discovered in the process; 'Shakespeare colliery' became the first in the Kent coalfield. A century on, in 1974, tunnelling began again only to be halted by the oil crisis. Today that tunnel, which connects the upper cliff with the shoreline, is used by TransManche Link, the consortium responsible for building EuroTunnel.</p>
<p>A heap of office blocks, cars and fencing now surrounds the old tunnel entrance, the operational headquarters for TML. At the cliff foot diggers and bulldozers, scuttling around like giant steel crustaceans, have filled an artificial lagoon with almost five million cubic metres of spoil from the excavations undersea. A mile of new coastline has emerged, bringing England 250 metres closer to France. Half the chalk slopes have been scooped away.</p>
<p>On this, the most precipitous of the white cliffs of Dover, it is also possible to feel a kind of cultural vertigo. A headland that figures prominently in English Literature, that protrudes deep into national legend and dream, the view from Shakespeare Cliff looks out over the fractured myth of Englishness.</p>
<p>*</p>
<p>Most myths are compounded of cliche and inspiration, history and deceit, and the white cliffs of Dover are no exception. Bluff and obdurate, their significance hardly needs comment: they are the face Britain presents to the world: more specifically, the face England turns towards Europe.</p>
<p>The white cliffs look better from a distance. Indeed, the greater the distance the better. Walter Kent, the lyricist of their most celebrated song, who improbably put 'blue birds over/The white cliffs of Dover', was an American who had not been within 3,000 miles of the place. But reality never bothered a good myth. The cliffs loom larger, whiter, and sturdier in the imagination than they do in fact.</p>
<p>'The eyes of homecomers thank these historical cliffs', wrote Auden in the poem Dover 1937. One might add it is not only the homesick who are grateful, the sea-sick too. My own first impression was from a storm buffeted ferry in the 70s, as it fought the waves to enter Dover harbour. For an hour or more the white chalk matched the colour of my knuckles as I tried to retain my stomach contents by gripping the deck rails. In direct contrast to Gloucester's vertiginous image, from the seaward side, the cliffs have represented stability, a fixed reference point in a shifting, reeling world.</p>
<p>Their whiteness is also essential. It recurs constantly in depictions of English landscape, the plain ground on which the countryside's 'greenness' can be spread. Charles Kingsley compared the cliffs the 'soft limbs of Mother Hertha' (a Germanic earth goddess), and during the Celtic revival this whiteness is often associated with native druidic purity. A crude racial metaphor is also often at work.</p>
<p>Others have been disappointed. Sheltering in Dover Harbour just after the sinking of the Belgrano, Jonathan Raban found the cliffs 'maculated with grime, drained of colour, under a ragged fringe of green'. The whiteness can also stand for sickliness, a pallid constitution, an atrophied state.</p>
<p>Above all, the cliffs form natural defences. Julius Caesar discovered as much when he first planned invasion in 55BC and remarked 'This was no place for disembarking'. By Elizabethan times it was already commonplace to describe the cliffs as England's 'bulwarks', the channel as its 'moat'. Not that nature went entirely unassisted. Dover Castle is the most blatant military complex in the area. Later, when cannons rendered the walls vulnerable, a vast submerged Grand Redoubt was constructed on the Western Heights.</p>
<p>But this fortress mentality also had its critics. Cobbett mocked the Grand Redoubt in his Rural Rides: 'What reason had you to suppose that the French would ever come to this hill to attack it, while the rest of the country was so much more easy to assail?' Caesar caught on quickly too, and took his invasion forces to land on the shingle beach at Walmer a few miles up the coast.</p>
<p>These properties converge to make the white cliffs stand out as an evocative emblem of British Resistance. Talk to local historians and they will remind you how Dover has always been a 'front line' town, suffering Dutch Merchantmen, Papist armadas, Jacobin revolutionaries and Bosch Zeppelins.</p>
<p>It was in the Second World War that the white cliffs reached their highest emotional pitch, and again, distance flattered their effect. In 1940 an anglophile American, Alice Duer Miller, wrote a long sentimental poem called 'The White Cliffs' as part of a concerted campaign to get America into the war. It ran to eleven editions, formed the basis of a film, and encouraged other images: Churchill standing on the cliffs looking over 'Hellfire Corner', a Lancaster limping home, a cartoon showing Hitler furiously hurling his planes against the implacable white walls. Ironically, the cliffs are made into a rallying cry by Vera Lynn just at the moment air power renders them militarily redundant. Blitzkrieg placed most English cities on the front line.</p>
<p>But even geology conspires with the myth. Under a powerful microscope the white chalk is comprised of the skeletons of millions of tiny coccoliths, sea creatures laid down on the seabed some 60 million years ago. It is tempting to see the white cliffs as a kind of ancestral graveyard, white with the bones of the heroic dead, a shrine to national sacrifice.</p>
<p>If this myth has a rival, an enemy of equal symbolic weight, a tunnel to France is the obvious candidate. The fixed link was first posited by a French Farmer in 1751 and for two hundred years since, the French have been suspiciously keen, the English paranoiacally wary. From this side of the Channel, the link has been perceived as a conduit for rabies and revolution, an act of foreign subterfuge, almost rape.</p>
<p><img src="http://www.peterjukes.com/joomla3/images/shakespeare_cliff3.jpg" width="300" height="198" alt="shakespeare cliff3" style="float: left; margin: 7px;" />It is easy to overplay the symbolism. After all, the channel tunnel is merely a long overdue recognition of fifty years of European economic and political integration. But EuroTunnel does little to dispel the wider resonances. The very name itself, implying a tunnel to the Urals, is a grandiose gesture. Company publicity constantly talks in mythic terms of 'joining Britain to the heart of Europe', of a cultural abridgement, of overcoming 'the great divide'.</p>
<p>They might be right. When, by the end of this year, the first passenger service begins through the twin-bore tunnel, trains will dip underground at Santerre and emerge half an hour later north of Folkestone. Travellers will no longer hang on the horizon for the sight of white chalk, no longer suffer the turbulent currents and the relief of dry land. We are witnessing the denouement of a titanic struggle between two historic myths. In that sense, it seems only poetic justice that EuroTunnel should undermine Shakespeare Cliff.</p>
<p>Shakespeare's profile should be hewn into the chalk, just as American presidents are carved into Mount Rushmore. The dramatist is a key propagandist for Britain's splendid imperial isolation after Henry VIII had broken from Rome, Mary had lost Calais, and Elizabeth engaged in war with Spain. He is still a key component in the corporate image of the trading nation: Great Britain Plc. Henry V is quoted at Tory Party conferences as a rallying cry. John of Gaunt's speech (in Richard II) could form a good lyric for a second rap single from Baroness Thatcher, capitalising on her success with the Gettysburg Address:</p>
<p>&nbsp;</p>
<blockquote>'This other Eden, demi-paradise</blockquote>
<blockquote>This fortress built by nature for herself</blockquote>
<blockquote>Against infection and the hand of war</blockquote>
<blockquote>This happy breed of men, this little world,</blockquote>
<blockquote>This precious stone set in a silver sea</blockquote>
<blockquote>Which serves it in the office of a wall,</blockquote>
<blockquote>Or as a moat defensive to a house . . . '</blockquote>
<p>&nbsp;</p>
<p>Now the moat is broken. The fortress has been breached. There is a poetic justice - or tragic irony - to this as well. It was Margaret Thatcher who, with President Mitterand, finally signed the treaty which allowed EuroTunnel to begin. Like her other great continental initiative - the Single European Market - the project was supposed to be free trade project, to leave England's cultural identity intact. On both occasions, she now appears like Faust, conjuring with demons that would tear her apart.</p>
<p>*</p>
<p>Back on Shakespeare Cliff, on a clear breezy day, the misty symbolism of nationhood quickly evaporates. Look across, and there are white cliffs on the French coast too. The continent is only a day trip away.</p>
<p>Nevertheless, there is something distinctly English about the white cliffs. First, they are exceptionally pure, some 98% calcium carbonate. Secondly, they are surprisingly rare. There are none in Scotland or Wales: a few in France, Denmark and Germany. Such coastal chalk cliffs are only to be found in Europe, but southern England has the monopoly.</p>
<p>The geology of the cliffs also gives rise to another peculiarly English landscape: ancient chalk grassland. Formed when the downs were deforested by slash and burn, then grazed with sheep or cattle, the thin chalky soil does not allow any single type of vegetation to predominate. The result is a stunning diversity. On average, 30 species of flora pack every square metre of chalk: spider orchids, wild beat, wild marjoram. This has led some to call ancient chalk grassland England's equivalent to the rain forest.</p>
<p>Squeezed between fingers of urban Dover and an abrasive sea, a thin strip of ancient grassland persists on Shakespeare cliff. The jackdaws and the rock samphire are still here, just as Edgar describes them in King Lear. And if one had to isolate a quality that makes Shakespeare particularly English, the outcrops of patriotic bombast are beside the point. One would look for his true Englishness in the texture of his language, the mix of wildness and cultivation, roughness and delicacy, a verbal variety itself rooted in local landscapes. This is true, above all, of King Lear: the open heath in the storm, the 'poor pelting farms', the flowers with which the mad king garlands his head.</p>
<p>Some 80 percent of ancient chalk grassland has disappeared in the last fifty years. As Twyford Down shows, the habitat is under constant threat. Over the last year a tumultuous change has also taken place on Shakespeare Cliff, but with less publicity, even though the site also has its sacredness. The council estate has lost a dozen houses and a school - demolished. The once quiet valley now swarms with men in hard hats and florescent vests. You have to watch out for traffic when crossing over to the coastal path. If a modern day Gloucester wanted to kill himself, he'd be better off throwing himself under a passing JCB.</p>
<p>A great white gash, smeared by rusty bulldozer tracks currently disfigures Shakespeare cliff, has sliced it in two. Unlike the mythic battle, this devastation does not come from some external threat. It has little to do with EuroTunnel or the fixed link. TML's offices here will soon be dismantled, the site replanted with native plants. Keen to win (or buy) public opinion, EuroTunnel has sponsored numerous conservation schemes.</p>
<p><img src="http://www.peterjukes.com/joomla3/images/shakespearecliff4.jpg" width="300" height="194" alt="shakespearecliff4" style="float: right; margin: 7px;" />Our own Ministry of Transport, however, has no such qualms. Equipped with compulsory purchase orders they have bulldozed an extension of the M20 to Dover Harbour, across cliff top sites of special scientific interest, over the objections of local residents, right through the centre of Dover, severing the town from its sea promenade. All this by way of compensating the Harbour authority and the Ferry companies for any loss of trade when EuroTunnel opens. In a few months time, Shakespeare Cliff will be another noisy if spectacular motorway verge.</p>
<p>This is not the first time the cliff has been betrayed. 18,000 tons of gunpowder blew a large section away to make a platform for the Dover to Folkestone Railway in 1843. When it comes to undermining emblems of Englishness, we are our own worse enemies.</p>
<p>Yet we cling to the wreckage. Two years ago year Dover Council opened a 'White Cliffs Experience' in town: an animatronic, multi-media attraction about the 'Heritage Coast'. The so-called 'historium' recreates scenes from the Roman invasion to World War II. The ferries get a big plug, but there's no mention of Gloucester's imaginary fall. Nor is the current destruction of the clifftops touched upon. Once again, our national heritage seems to consist of elevating images while burying the facts.</p>
<p>Meanwhile, if you want the 'Gloucester Experience' there is still a little time left to climb the real Shakespeare cliff. Looking over the brim, you may recall how a blind man found his feet by a leap of faith. Or perhaps you will remember the story of Lear, a tyrannical old English King, who only awoke from his madness when his daughter arrived here with liberating forces from France. Or you might just listen out for the sea quietly milling the shingle, before the cars drown it out for ever.</p>
<p>&nbsp;</p>
<p><em><b>Published in the Independent on Sunday May 1993</b></em></p></div>]]></description>
			<author>pdjukes@gmail.comv15 (Peter Jukes)</author>
			<category>History &amp; Ideas</category>
			<pubDate>Fri, 21 May 1993 11:33:00 +0000</pubDate>
		</item>
		<item>
			<title>Britain in Europe</title>
			<link>http://www.peterjukes.com/joomla3/essays-blogs-journalism/politics/item/54-kempfenhausener-gesprche</link>
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			<description><![CDATA[<div class="K2FeedIntroText"><p>&nbsp;</p>
<p align="center"><a name="HOW BRITAIN STOOD ALONE"></a>HOW BRITAIN STOOD ALONE</p>
<p>&nbsp;</p>
<p><img style="margin: 5px;" src="http://upload.wikimedia.org/wikipedia/commons/c/cd/UK_of_Britain_%26_Ireland_in_Europe.png" alt="" width="550" height="458" />Every country has a myth of specialness; how their state was founded by gods, ruled by divinely inspired kings, its inhabitants a chosen people. In this light, Britain is hardly exceptional in believing it has a unique role in the world. But perhaps few would have expressed that prejudice quite so bluntly as Baroness Margaret Thatcher did at a fringe meeting at the Conservative Party conference in October 1999: "Nothing good has come from the continent... the only good things have come from the English Speaking Peoples."</p>
<p>I must make an immediate apology for my former Prime Minister, while expressing gratitude for her candour. She puts into vivid relief much of the bigotry, insularity and xenophobia of the ‘Eurosceptics’ who dominated British politics in the 1990s. As Dr Schwanitz points out in his elegant essay on the Whig Version of History (HYPERLINK TO FORUM ARTICLE), these attitudes of mistrust toward Europe have a long and distinguished pedigree. They are part of the recurrent myth of ‘Britain standing alone’.</p>
<p>The image of Britain as a sceptred isle, fortified by white cliffs against incursions from abroad begins is a core component of British nationalism from after the severance from Rome and the attempted Spanish and French invasion with the Armada. It recurs in British fears about ‘popish plots’ to blow up the Houses of Parliament or install Catholic monarchs. The myth takes on a secular dimension with the fear of that ‘Old Boney’ – Napoleon Bonaparte – would sweep over the channel as he did over much of Europe, until stopped at Trafalgar and Waterloo. But this image of isolated resistance to continental despotism takes on its full and final meaning in the Battle of Britain, when another European dictator is stopped at the white cliffs of Dover. Though I was born in 1960, and think myself free from the prejudices of the war generation, all the films and comic books and toys of my childhood were dominated by World War II imagery: the Blitz, Spitfires, Colditz, and compulsory Christmas day viewing of The Great Escape.</p>
<p>In the post war years, this peculiarly British fear of the ‘continent’ became subsumed under the polarities of the Cold War and anti communism: our insularity shielded by Nato’s nuclear umbrella. But once the Berlin wall came down and the Iron curtain was lifted, this nationalism needed to find a new enemy. The tone was set once again by Margaret Thatcher in her famous Bruges speech of 1987. For her, the ‘foreign germ’ of socialism and tyranny was now being seeded by the European union, a new ‘superstate’. Instead of Philip of Spain or Bonaparte or Hitler or Soviet spies, our new enemy was Jacques Delors and the faceless bureaucrats of Brussels.</p>
<p><a name="FRACTURED BRITAIN: UNITED EUROPE"></a>FRACTURED BRITAIN: UNITED EUROPE</p>
<p>As a writer of dramatic narratives, I tend to look at stories not only in terms of content (i.e. what they are about) but also in terms of audience (i.e. who are they for). When it comes to the myth of Britain alone it seems to me that this is actually for more for internal rather than external consumption.</p>
<p>Part of my country’s problem since the war is that the rise of Europe has been accompanied by a steep decline in the meaning of ‘Britishness’ for the average Briton. When I was a child I was shown maps of the globe with a quarter of it coloured pink as British colonies or former dominions. Within a generation – from say 1920 to 1960 - Britain declined from being ‘the greatest empire the world had ever known’ to the role of a mid ranking European state. This decline in self-image and self-esteem must have been traumatic for many Brits who lived through the first half of the 20t<sup>h</sup>century. But it was not just abroad that our identity was threatened. It was also being challenged at home.</p>
<p>For three hundred years since the Act of Union, colonisation and conquest overseas disguised ofEnglish colonisation and conquest of Scots, Irish and Welsh. Even during the heyday of the British Empire in the 19<sup>th</sup> century, imperial distractions did not delay civil strife within the union. In the myth of Britain alone other parts of these island - Ireland and to a lesser extent Scotland and Wales – have often figured as potential turncoats or traitors. Part of the vitriol and violence that has characterised British involvement in Ireland has been this fear that the ‘enemy within’ could harbour Popish plotters, Bonapartiste troops, or Nazi U-boats.</p>
<p>Thus, a large part of the fear of the continent, of the ‘other’, is in fact an aberrant expression of our anxiety about the unity of the United Kingdom.</p>
<p>These days the idea of Britishness itself is deeply problematic, with one prominent political commentator, Andrew Marr, writing recently about ‘The Day Britain died’. With the advent of devolution to Scottish and Welsh assemblies, a Mayor of London about to be elected and other regional assemblies proposed, the real debate at the beginning of the 21<sup>st</sup> Century is whether Britishness was anything more than a disguise for a much narrower and less noble phenomenon: the ‘little Englander’.</p>
<p>This potential for internal fracture is, I believe, (with perhaps the exception of Belgium), quite unmatched in the rest of Europe. And even the Belgians have one single football team to support. There is no Flemish or Walloon team competing in Euro 2000 finals, nor, despite their historic unity and identity, is there a Lombard, or Catalan or Bavarian team. But in most important national sporting events Britain regularly fields FOUR teams: Scotland, Wales, England and the North of Ireland.</p>
<p><a name="THE PROBLEM OF ENGLISHNESS"></a>THE PROBLEM OF ENGLISHNESS</p>
<p>If recent polls are to be relied upon, a vast majority of the UK population – over two thirds – are reluctant to join Economic and Monetary Union, with a small majority even in favour of withdrawing from the European Union entirely. It is beyond doubt that there a strong streak of antipathy to an ‘ever deeper union’ with Europe. But, at the risk of asserting an unproven hypothesis, I would suggest that this is an English rather than a British dilemma.</p>
<p>Federalism means two opposing things on either side of the British channel. On the other side of La Manche, Federalism means devolution, decentralised administration with strong local government. In Britain, perversely, federalism means completely the opposite: it connotes a strong central European state within which national sovereignty is subsumed.</p>
<p>Whether these two meanings of federalism are mutually exclusive (after all ‘pooled’ sovereignty could accompany more regional autonomy) it is the English, rather than the British, who have most to fear from federalism in both its senses. Not only would the English lose control of its immediate neighbours, the English nation would become an even less significant player on the world scene. At present, Britain can scarcely justify its role on the United Nations’ Security Council. But come full national devolution, England has no more right to be there than Spain.</p>
<p>Nationalists – Scottish, Welsh and Irish – have been broadly in favour of European integration, partly because it means they can bypass Westminster and English domination, but also because the EU provides an ideal structure for small states to flourish in a wider frameworks of regional aid and economic stability. I have no polls to back this up, but my instinct tells me that the current of Euroscepticism is much stronger in England than in the other nations of the UK.</p>
<p>This anxiety about a beleaguered identity is also, interestingly enough, reflected on the football field. Scottish, Welsh and Irish football supporters are renowned for enthusiastic but peaceable support for their national teams. Not so English football fans who are, infamously, market leaders when it comes to bigotry, racial violence and hooliganism</p>
<p>So, in this analysis, the biggest bar to European integration is not the Brit but the little Englander, who seems to have everything to lose by it. His xenophobia is intensified by a sense of lost esteem, a kind of global downward mobility. And now, despite tentative plans for regional governance, the little Englander feels betrayed both within and without. The Scots and the Welsh have national assembles - but he doesn’t. Meanwhile, the EU keeps eroding his national privileges. Not only is his favourite ‘roast beef’ banned, his homely chocolate questioned by Europe, but he has to count his currency in decimals, and measure his life in alien metres and kilos instead of good old fashioned feet and pounds.</p>
<p>English nationalism – and its pre-emptive attack on all that is foreign on this island or outside it – is an acute symptom of an identity crisis. Fortunately, there have recently been signs that, rather than take umbrage at the more positive manifestations of Scottish and Welsh and Irish national identity, the English are beginning take a lead from it.</p>
<p>Much of this, I would argue, comes from the central role of London in the England’s identity, With a population of 7 million, and one of the great world cities, London itself possesses a multiethnic, multicultural identity quite at variance with the narrow white definitions of the little Englander. Personally, perhaps because of a mixed Armenian/Welsh/English background, I find itself easier to think of myself as a Londoner rather than a Brit or ‘English’. But I am not alone. Most my friends have mixed regional or national identities and apparently 50% of all people in London have a grandparent who was not born in Britain. In the 19<sup>th</sup> century London was famous for having more Scots living in it than Edinburgh, more Irish than in Dublin, more Jews than in Jerusalem. And though these facts might no longer true, London still represents an unusually harmonious mixture of races, creeds and ethnic backgrounds.</p>
<p>The forthcoming elections for a directly elected, Parisian or American-style Mayor of London may be vitiated by various political shenanigans. But not one of the candidates has veered from the belief in London as a great multicultural, multiethnic, tolerant city. The fact that the cuckoo of London is laying its egg of cosmopolitanism deep in the English heartland is of quite profound significance.</p>
<p>I firmly believe that Britain’s prevarication over Europe will be solved when the English resolve the troubled issue of their own identity. The only other big obstacle remaining in our way is the fact that, through an accident of history, that the English language is rapidly becoming the lingua franca of the Information Age.</p>
<p>In her demented outburst Margaret Thatcher pitted the ‘English speaking peoples’ against the ‘continent’ as if the former represented some great historical alliance. But even our so called ‘special relationship’ with the US is, these days, not really that much more special than the relationship between Washington and other captials, Berlin, Tokyo or Beijing. Yes, there are ties of language and custom between Britain and the US, but most US citizens DON’T have Anglo-Saxon roots, and the peculiar military alliance of Britain and the US is a legacy of the Second World War. As for the ‘English speaking peoples’ this would now include, as a second language, much of Scandinavia, Eastern Europe, India, Africa and South East Asia.</p>
<p>I have French friends who see the dominance of the English language as some kind cultural colonisation, as if the mere fact that English words are spoken means that English customs, cuisine and manners are taking over the world. This is frankly preposterous. American-led global commerce maybe taking over the world. American-made movies and computer software maybe. Though it is the medium of the Internet and lingo of airports, the English language is no more the property of the English people these days than Medieval Latin was the property of a province of Italy. The language is owned by those who speak and use it, rather than those who originally devised it. And after all, what is the English language but a uniquely European creation – a synthesis of Norman French and Saxon German?</p>
<p><a name="ILLUMINATING THE DARK CONTINENT"></a>ILLUMINATING THE DARK CONTINENT</p>
<p>Now it’s time for me to lay my cards on the table. I hope to have demonstrated both my understanding of, and lack of sympathy for, the paranoid chauvinism of the little Englander. I am also a realist, and I firmly believe that Britain has no choice: it cannot retreat from Europe - only engage with it. We could no more withdraw from the continent than physically drag ourselves into the middle of the Atlantic.</p>
<p>Just because I am pro-European does not mean I am freed from reservations or objections to the institutions of the European Union, as currently formulated. Some may attribute this caution to some unreconstructed Britishness, but I have found these reservations shared by many others in France, Germany, Holland and particularly among the Danish, Polish or Czech. And it is here where I diverge from Dr Schwanitz’s diagnosis. It is not the political aspects of the European Union that worry me, but some of the economic and social assumptions.</p>
<p>In terms of their cultural identity, Britons are these day much less stereotyped in their perception of other Europeans, and much more happy to identify themselves as part of a continental culture. Despite the occasional headline in&nbsp;The Sun or&nbsp;The Mirror, most people now eschew the crude demonology of Krauts, Frogs, Wops and Dagos that so obsessed us even twenty years ago. When I was a child it was commonplace to make complaints about the ‘continent’, to complain about ‘foreign’ lavatories, dodgy food and undrinkable water. Nowadays, as the Blair generation holiday in Southern France and Tuscany, drive German cars, drink Italian coffee, Belgian beer, the average Briton probably believes that the quality of life is actually higher in mainland Europe than it is at home. Our appreciation of European qualities of life, of café culture, good food, good wine and a relaxed attitude to conviviality and entertainment is everywhere to be seen in the renovated city centres of Manchester, Sheffield, Bristol or Leeds.</p>
<p>When it comes to politics too, at least politics its wider strategic dimensions, I believe most Brits are very much in favour of European co-operation instead of the dangerous balance of power politics that have haunted much of our history.</p>
<p>Europe is a special not just because of its unique civilisation, but also because of its unique barbarity. When war broke out in the former Yugoslavia, some commentators complained that it seemed to attract more attention than war and atrocity in Africa or Asia. They argued that we were more concerned with Sarajevo or Kosovo than Rwanda or East Timor because the victims were white and watched MTV and wore jeans. If they were black, or wore dhotis, we tended to ignorer their sufferings as the natural antics of uncivilised savage people.</p>
<p>I happen to believe that the opposite is true. War and atrocity in Europe concerns me not because the continent is more civilised than Africa or South East Asia, but because it has consistently been much more barbaric. In this century alone has been the scene of hundreds of millions of casualties, and many times more people have been killed by famine, war and pogrom in the Europe and Russia in the last century than in Africa or China.</p>
<p>For me, fifty years of peace in Europe has been the great prize of European Union. In this, I’m sure even most my Eurosceptic compatriots would agree. If asked the right question; if asked whether they thought European Union was worth pursuing to prevent another European war, the British would, I’m sure, vote overwhelmingly in favour of it.</p>
<p><a name="ECONOMIC RESERVATIONS"></a>ECONOMIC RESERVATIONS</p>
<p>My personal opinion is that the continuing British reluctance to go further in EU integration is not a case of cultural snobbery or political paranoia. For the Blair generation, the objection is quite specific. Britain still has a deep mistrust of economic and monetary union&nbsp;for economic and monetary reasons.</p>
<p>Let me briefly explore the nuances of this distrust by looking at the Euro – the single European currency – which Britain still retains an ‘option’ to join. Now there are those, on both sides of the political spectrum, who believe to the single currency because it means a central bank, centralised interest rates, and therefore harmonisation of tax laws and social spending. Depending whether they come from the left or the right, these people object to losing national sovereignty to a) a quasi socialist ‘superstate’ or b) a club of capitalist bankers.</p>
<p>With the deregulated global flow of capital and finance these days, I personally believe that national sovereignty in economic matters is probably pretty illusory. One of the reasons the British electorate so comprehensively dismissed the ‘Eurosceptic’ Tory government in the 1997 landslide vote for Labour is that they discovered that this much vaunted sovereignty was a myth. Its mythic quality became clear in the debacle of Britain’s withdrawal from the European Monetary system in 1992. John Major’s government had no sovereignty when it came to speculation on the pound sterling.</p>
<p>However, though I realise European currencies must unify as their economies converge, I still fail to see why a&nbsp;single European currency had to be imposed in one fell swoop. Yes, both companies and individuals need to have stability in their currency dealings – but a common currency could have been introduced without abolishing the pound, the franc, the lira or the mark. A successful and evolving common currency would have attracted individuals, companies and institutions, gradually abolishing native currencies by preferential choice. Such a currency would have been created from below, rather than imposed from above. I have asked members of the European Central Bank why they did not take this route and (I suspect after mentally dismissing me as another little Englander) their main explanation seemed to be that maintaining national currencies alongside the Euro would have been ‘expensive’. One of my more indiscreet interlocutors then went on to argue that ‘we’ve got to beat the dollar’ and ‘get the Americans by the balls!’.</p>
<p>If one overlooks for a moment this false competition with the dollar (and the perverse desire of many Anti-Americans to emulate the US) the only argument against a ‘non-exclusive’ common currency is one of cost. On the same basis we would abjure representative democracy and the rule of law, because they are also phenomenally expensive. And I can see nothing more costly for the whole of Europe than having a common currency failing for the simple reason it was imposed on the people rather than adopted by them.</p>
<p><a name="THE NEED FOR EUROPEAN SCEPTICISM"></a>THE NEED FOR EUROPEAN SCEPTICISM</p>
<p>One of the most troubling aspects of my debate with other pro-Europeans is that when I question the single common currency, or ponder the probity of the commission, or wonder about the harmonisation of social policy, I am construed as another narrow minded Brit, forever blind to great noble aims of the EU.</p>
<p>This worries me deeply. At what point did that great and wonderful collection of peoples and history that constitutes ‘Europe’ become equated with a bureaucracy in Brussels, or the dentistry of Edith Cresson? It seems important to me that, especially given the diversity of the EU, that the institutions should be subservient to the people, rather than vice versa. Sometimes I am not sure that this view is shared by the people I have met who actually run the institutions of Europe.</p>
<p>Some might dismiss my reservations as purely national in character. I expect Margaret Thatcher would say that I’m demonstrating a peculiarly ‘Anglo Saxon’ distrust of big government that sets me apart from the dirigiste traditions of France or the corporatist traditions of Germany. But I think this would be a naively nationalist analysis. On most counts – whether through social welfare or health or tax policy – most of Britain’s indicators place it firmly in the European camp of social democracy. We are not a laissez faire nation. Above all, I think we share a great tradition that marks Europe out from most other continent in the world – SCEPTICISM.</p>
<p>Perhaps the most striking difference between virtually every European country and the United States is the degree to which its inhabitants have been secularised. Whether it’s Britain, Germany, France, Spain, Holland, Belgium, Denmark, Greece, Finland, Luxembourg – the majority of Europeans do not attend church or count themselves as part of any established faith – and this majority often exceeds believers by more than two to one.</p>
<p>In the United States, this role is reversed. 70% of the US population regularly attend church, and the numbers who count themselves ‘believers’ double that of most Europeans. Despite all the anomalies of race, language and background our component countries, this core belief in the values of doubt and disbelief (from Descartes to Kafka) is probably the most defining characteristic of a modern European.</p>
<p>After all, the average Briton doesn’t really worry that the EU will install a quisling regime in Westminster or annexe East Anglia. The average Briton worries that ‘Brussels Bureaucrats’ want to put Value Added Tax on children’s clothes or ban his bananas for being too bent. Europe is only despised as and when it seems to be the exponent of petty rules and impositions, a promoter of restrictive practices in employment, or an employer of cronies and placemen within its own organisation. The European commission has become a shorthand for all the things Britain used to despise about its own bureaucratic and inefficient form of government – and though the attacks may be virulent and lacking any kind of reverence, they are also pretty evenly distributed against other targets too. But when Europe creates employment with regional funds, or supports the highest standards of healthcare, or promotes mobility of labour as well as capital, or stands up for the rights of individuals in its human rights legislation - then with each of these individual encounters the term European becomes a compliment rather than a criticism.</p>
<p>For various reasons, due to the theatrical nature of our political debates and highly commercial pressures of our newspapers, these kinds of criticisms are aired with more venom and vigour in the UK. But questioning and doubt are not uniquely British qualities. Where our ingrained European scepticism comes from is another matter. Perhaps it derives from the experience of so many pointless fanatical conflicts, culminating in the ideological division of Europe in the Cold War. Perhaps it is one of the shining triumphs of our shared existentialist history that we can live without expectation of reward in another world. We realise we have only one world, and that we’d better find a way of getting on with each other right now. And if we accept that disbelief and doubt are essential parts of our European identity, then British ‘detachment’ towards Europe can be accepted as a positive and supportive quality, as our peculiar form of engagement with our neighbours.</p>
<p align="RIGHT"><em>Peter Jukes March 2000</em></p>
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			<pubDate>Mon, 20 Mar 2000 00:00:00 +0000</pubDate>
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